Instagram's Role in Inducing Event-Related Social Anxiety for Public Engagement

Authors

  • Helen Fransisca Universitas Pelita Harapan
  • Rizaldi Parani Universitas Pelita Harapan

DOI:

https://doi.org/10.30656/lontar.v11i2.7264

Keywords:

Instagram, Social Anxiety, Social influence, New Media, Uses and Gratification theory

Abstract

This study aims to illustrate the social anxiety occurring on the Instagram, which creates social influence among individuals regarding entertainment events. This is closely related to the desire of community members to attend Coldplay concerts in Indonesia and neighbouring countries such as Malaysia, the Philippines, Singapore, and Thailand. Therefore, the research question raised is "How can the use of Instagram in creating social anxiety in organizing live events affects the public interest?" The approach used in this study is a qualitative approach with a phenomenological research method. The unit of analysis used is individuals with purposive sampling technique. Data collection was carried out through semi-structured in-depth interviews and relevant literature studies. The theory used in this study is the Uses and Gratification theory because users are active audiences who interact on Instagram. Additionally, this study also incorporates several related concepts such as Social anxiety, social influence, and New media. The study findings reveal that many Instagram users experience anxiety regarding the one-day Coldplay concert in Indonesia. As a result, many fans are interested in attending Coldplay concerts held in several neighbouring countries of Indonesia. This indicates that content on Instagram plays a significant role in shaping community interest.

References

Abel, J., Buff, C., & Burr, S. (2016). Social Media and the Fear of Missing Out: Scale Development and Assessment. Journal of Business & Economics Research, 14th(1st).

Adristiyani, N. A., & Halimah, L. (2021). Pengaruh Uses And Gratificationterhadap Adiksi Instagram pada Emerging Adulthooddi Kota Bandung. JournalRisetPsikologi, 1(1). https://doi.org/10.29313/jrp.v1i1.151

Aisafitri, L., & Yusriah, K. (2021). Kecanduan Media Sosial (FoMO) Pada Generasi Milenial. Jurnal Audience : Jurnal Ilmu Komunikasi, 4th(1st).

Amalia, A., & Sumaryanti, I. (2022). Pengaruh Self-esteemterhadap Fear of Missing Outpada EmergingAdulthoodPengguna Instagram. Bandung Conference Series: Psychology Science, 2(2). https://doi.org/10.29313/bcsps.v2i3.2972

Aminuddin. (1990). Pengembangan penelitian kualitatif dalam bidang bahasa dan sastra (1st ed., Vol. 1st). Yayasan Asih Asah Asuh (YA3).

Annur, C. (2021, September 5). Media Sosial yang Terbanyak Digunakan pada Semester I 2021.Databoks. https://databoks.katadata.co.id/datapublish/2021/09/05/masyarakat-indonesia-paling-banyak-akses-youtubepada-semester-i-2021

Asriyansyah, M. (2022, Desember). Pandemi Covid 19 dan Upaya Pencegahan. Kementrian Keuangan Republik Indonesia. https://www.djkn.kemenkeu.go.id/artikel/baca/15799/Pandemi-Covid-19-dan-Upaya-Pencegahan.html

Azkia, Z., Sujana, F., & Idris, A. (2021, Februari 1). Youtube Rewind Berhasil Trending-1 Ditengah Pandemi Covid-19. SinarpagiNews. https://sinarpaginews.com/adv/36024/.html#

Basbas, F. & Castillo, C. (2023). Coldplay add NEW DATES TO 2023 “Music Of The Sphere†World Tour—Concerts in Tokyo, Kaohsiung, Jakarta, Perth, Kuala Lumpur confirmed. Bandwagon.Asia. https://bandwagon.asia/articles/coldplay-announce-asia-dates-of-music-of-the-spheres-world-tour-concerts-tickets-prices-Tokyo-Kaohsiung-Jakarta-Perth-Kuala%20Lumpur-2023

Bernhard. (2002). Research methods in anthropology: Qualitative and quantitative approaches (3rd ed.). AltaMira Press.

Chandru. (2023, Februari). The Evolution of Entertainment: From Ancient Times to the Modern Era. Unbalance. https://vocal.media/unbalanced/the-evolution-of-entertainment-from-ancient-times-to-the-modern-era

CNN Indonesia. (2023, Februari 17). 4 Jenis Kebutuhan Manusia beserta Alat Pemenuhannya. CNN Indonesia. https://www.cnnindonesia.com/edukasi/20230215113931-569-913307/4-jenis-kebutuhan-manusia-beserta-alat-pemenuhannya

Cote, J. (2022). What is New Media? SNHU. https://www.snhu.edu/about-us/newsroom/liberal-arts/what-is-new-media

Dewdney, A., & Ride, P. (2006). New Media Handbook (2 ed.). Routledge.

Dodgson, L. (2018). Here’s what’s really going on in your brain when you experience ’FOMO’—The fear of missing out. Business Insider. https://www.businessinsider.in/heres-whats-really-going-on-in-your-brain-when-you-experience-fomo-the-fear-of-missing-out/articleshow/63895409.cms

Dyer, R. (2005). Only Entertainment (2nd Edition). Routledge.

Emzir. (2014). Metodologi Penelitian Kualitatif Analisis Data (4th ed., Vol. 1st). Rajawali Pers.

Eyrich, N., Monica, P., & Kaye, S. (2008). PR practitioners’ use of social media tools and communication technology. Public Relaitions Review, 34th(4th).

Fauziah, N. (2023, Juni 19). Konser Coldplay di Jakarta Hanya 1 Hari, Sandiaga Singgung Sulitnya Mendapatkan Izin. OkezoneTV. https://travel.okezone.com/read/2023/06/19/406/2833645/konser-coldplay-di-jakarta-hanya-1-hari-sandiaga-singgung-sulitnya-mendapatkan-izin

Gass, R. H., & Seiter, J. S. (2013). Social Inflence and Compliance Gaining (5 ed.). Routledge.

Griffin, E., Ledbetter, A., & Sparks, G. (2019). A First Look at Communication Theory (10th ed.). McGraw-Hill Education.

Hapiz, R. (2023, Juni). Ditunggu-Tunggu! Coldplay Akan Konser di Indonesia. Decode. https://decode.uai.ac.id/ditunggu-tunggu-coldplay-akan-konser-di-indonesia/

Herna. (2022). TIKTOK SOCIAL MEDIA USAGE MOTIVES: ANALYSIS OF USES AND GRATIFICATION THEORY. Moestopo International Review on Societies, Humanities, and Sciences (MIRSHuS), 2(2).

Hidayat, K., Bashori, K., & Dwiasri, O. (2016). Psikologi sosial: Aku, kami, dan kita (1st ed.). Erlangga.

Iriantara, Y. (2015). Media relations: Konsep, pendekatan, dan praktik. Sembiosa Rekatama Media.

Karman. (2014). Penggunaan Media dan Perkembangannya Kini. Jurnal Studi Komunikasi Dan Media, 17th(1st).

Katz, E., Blumler, J., & Gurevitch, M. (1974). Utilization of mass communication by the individual.

Kemenparekraf. (2020, Oktober 9.). Cara Baru Menonton Konser Musik di Tengah Pandemi. Kemenparekraf. https://kemenparekraf.go.id/rumah-difabel/Cara-Baru-Menonton-Konser-Musik-di-Tengah-Pandemi

Khoirunnisa. (2022, Maret 6). Google: Penelusuran ‘Konser Virtual’ Meningkat 133%. Selular. https://selular.id/2022/03/google-penelusuran-konser-virtual-meningkat-133/

KumparanBisnis. (2023, Juni 4). Festival dan Konser Musik Dinilai Mampu Dongkrak Ekonomi RI. KumparanBisnis. https://kumparan.com/kumparanbisnis/festival-dan-konser-musik-dinilai-mampu-dongkrak-ekonomi-ri-20XHwkBIKbG

Lestari, M. A., & Solekhah, T. A. (2022). The Relationship Between Social Comparison With Social Anxiety In Youth Users Instagram In Jakarta. Budapest International Research and Critics Institute - Journal, 5(4). https://doi.org/10.33258/birci.v5i4.7143Mahendra, B. (2017). Eksistensi Sosial Remaja Dalam Instagram (Sebuah Perspektif Komunikasi). Jurnal Visi Komunikasi, 16th(1st).

Mario, V., & Setiawan, T. S. (t.t.). Coldplay Umumkan Jadwal Tur Asia, Ada Indonesia dan Malaysia. Kompas.com. https://www.kompas.com/hype/read/2023/05/09/134424166/coldplay-umumkan-jadwal-tur-asia-ada-indonesia-dan-malaysia?page=all#google_vignette

Maslow, A. (1943). A Theory of Human Motivation. Psychological Review, 50(4), 370–396. https://doi.org/10.1037/h0054346

Merriam, S., & Tisdell, E. (2015). Qualitative Research: A Guide to Design and Implementation (4th ed., Vol. 1st). Jossey Bass Inc.

Musa, A. S., Azmi, M. N. L., & Ismail, N. S. (2015). Exploring the Uses and Gratifications Theory in the Use of Social Media among the Students of Mass Communication in Nigeria. Malaysian Journal of Distance Education, 17(2).

Nindito, S. (2005). Fenomenologi Alfred Schutz: Studi tentang Konstruksi Makna dan Realitas

dalam Ilmu Sosial. Jurnal Ilmu Komunikasi, 2(1).

Nita, D. (2023, Mei). Hanya 2 Menit, Tiket Konser Coldplay Jakarta 2023 Harga Rp11 Juta Habis Terpesan. Kompas. https://www.kompas.tv/entertainment/407507/hanya-2-menit-tiket-konser-coldplay-jakarta-2023-harga-rp11-juta-habis-terpesan

Pamela. (2020, Juli 22). Bagaimana Platform Hiburan Memanfaatkan COVID-19? Ajaib. https://ajaib.co.id/bagaimana-platform-hiburan-memanfaatkan-covid-19/

Priambada, Y. (2023, Mei). Konser Coldplay, Memahami Antusiasme Menyambut Chris Martin dan Kawan-kawan. Kompas. https://www.kompas.id/baca/riset/2023/05/21/konser-coldplay-di-indonesia-memahami-hebohnya-antusiasme-publik-menyambut-chris-martin-dan-kawan-kawan

Przybylski, A., Murayama, K., DeHaan, C., & Gladwell, V. (2013). Motivational, emotional, and behavioral correlates of fear of missing out. Computers in Human Behavior, 29(4).

Putri, W. F., & Rachmawati, I. (2020). Kontruksi Diri Selebgram Di Instagram Terhadap Kecemasan Berkomunikasi Di Media Sosial. Prosiding Manajemen Komunikasi, 6(2). http://dx.doi.org/10.29313/.v6i2.24037

Rantung, R. (2021, Maret 2). 1 Tahun Pandemi di Dunia Hiburan, Pukulan bagi Dunia Film, Musik, hingga Bisnis Artis. Kompas. https://www.kompas.com/hype/read/2021/03/02/120800766/1-tahun-pandemi-di-dunia-hiburan-pukulan-bagi-dunia-film-musik-hingga?page=all

Rezigue, I. (2023, Maret 10). The future of Entertainement: How digital technologies are revolutionizing the Industry. Medium. https://medium.com/digital-society/the-future-of-entertainement-how-digital-technologies-are-revolutionizing-the-industry-6831b417922f

Royal Society for Public Health. (2017). Status of Mind: Social media and young people’ s mental health and wellbeing. In Royal Society for Public Health.

Rusdiansyah, A. (2023, Mei). Hiburan Tanpa Batas: Gaya Hidup dan Hiburan di Era Digital. Kumparan. https://kumparan.com/ayu-imtyas-rusdiansyah/hiburan-tanpa-batas-gaya-hidup-dan-hiburan-di-era-digital-20ME8yTik74

Salbiah, N. (2023, Februari 2). Dunia Hiburan Menggeliat Pasca-pandemi Covid-19. Jawapos. https://www.jawapos.com/nasional/01434283/dunia-hiburan-menggeliat-pascapandemi-covid19

Salsabilla, R. (2023, Juni 6). Wow! 20 Ribu Tiket Indonesia Vs Argentina Ludes Dalam 2 Menit. CNBC Indonesia. https://www.cnbcindonesia.com/lifestyle/20230606121103-33-443346/wow-20-ribu-tiket-indonesia-vs-argentina-ludes-dalam-2-menit

Sanjaya, Y. (2023, Mei). Tiket Konser Coldplay Habis Dikaitkan dengan FOMO, Fenomena Apa Itu? Kompas. https://www.kompas.com/tren/read/2023/05/19/153000265/tiket-konser-coldplay-habis-dikaitkan-dengan-fomo-fenomena-apa-itu-?page=all#google_vignette

Satyagraha. (2023, Maret 16). Bisnis Konser Musik Kembali Bangkit di Tanah Air. AntaraNews. https://www.antaranews.com/berita/3443181/bisnis-konser-musik-kembali-bangkit-di-tanah-air

Sayre, S., & King, C. (2010). Entertainment and Society: Influences, Impacts, and Innovations (2nd Edition). Routledge.

Shiba, N. (t.t.). 5 Teknologi untuk Media dan Entertainment Terpopuler di 2022. IDS Digital College. https://ids.ac.id/5-teknologi-untuk-media-dan-entertainment/

Smith, Jonathan A. 2015. Qualitative Psychology A Practical Guide to Research Method. 3rd edition. London: SAGE Publications Ltd.

Subagiyo, R. (2017). Metode penelitian ekonomi islam: Konsep dan penerapan (1st ed., Vol. 1st). Alim’s Publishing.

Sundar, S., & Limperos, A. (2013). 2.0: New Gratifications for New media. Journal of Broadcasting, 57th.

Suteja, N. (2023, Juni 12). Coldplay Konser Empat Hari di Singapura, Warganet Indonesia Siap Datang. medcom.id. https://www.medcom.id/hiburan/musik/zNPYgAzb-coldplay-konser-empat-hari-di-singapura-warganet-indonesia-siap-datang

Sutriyanto, E. (2020, April 1). Pindahkan Panggung Hiburan ke Platform Online Agar Tetap Eksis dan Hibur Penggemar. Tribunnews. https://www.tribunnews.com/techno/2020/04/01/pindahkan-panggung-hiburan-ke-platform-online-agar-tetap-eksis-dan-hibur-penggemar?page=all

Vahdat, A., Alizadeh, A., Quach, S., & Hamelin, N. (2020). Would you like to Shop via Mobile App Technology? The Technology Acceptance Model, Social Factors and Purchase Intention. Australasian Marketing Journal, 29th(2nd).

Valentini, C., & Kruckeberg, D. (2012). New Media Versus Social Media A Conceptualization of Their Meanings, Uses, and Implications for Public Relations (2 ed., Vol. 1). Peter Lang.Vogel, H. (2020). Entertainment Industry Economics: A Guide for Financial Analysis (10th Edition). Cambridge University Press.

Wang, Shih-Tse, E., Chou, & Pei-Yu, N. (2014). Consumer Characteristic, Social Influence, and System factors on Online Group-Buying Repurchasing Intention. Journal of Electronic Commerce Research, 15th(2nd).

Whiting, A., & Williams, D. (2013). Why people use social media: A uses and gratifications approach. Qualitative Market Research: An International Journal, 16, 4. https://doi.org/101108

William, K. D. (2007). Ostracism. 58, 425-452.

Xu, H., Zhu, Z., Zhu, Z., & Huo, Z. (2022). Research on News Use of Social Media in The Context of New Media. International Journal of Education and Humanities, 5th(3rd).

Downloads

Published

2023-12-30

Issue

Vol. 11 No. 2 (2023): Lontar : Jurnal Ilmu Komunikasi

Section

Articles

License

Creative Commons License

 

1. License

The non-commercial use of the article will be governed by the Creative Commons Attribution license as currently displayed on Creative Commons Attribution-ShareAlike 4.0 International License.

2. Author(s)' Warranties

The author warrants that the article is original, written by stated author(s), has not been published before, contains no unlawful statements, does not infringe the rights of others, is subject to copyright that is vested exclusively in the author and free of any third party rights, and that any necessary written permissions to quote from other sources have been obtained by the author(s).

3. User Rights

Lontar's spirit is to disseminate articles published are as free as possible. Under the Creative Commons license, Lontar permits users to copy, distribute, display, and perform the work for non-commercial purposes only. Users will also need to attribute authors and Lontar on distributing works in the journal and other media of publications

4. Right of Author

The author does not hold the copyright of articles published by this Journal (Jurnal Lontar)

5. Co-Authorship

If the article was jointly prepared by more than one author, any authors submitting the manuscript warrants that he/she has been authorized by all co-authors to be agreed on this copyright and license notice (agreement) on their behalf, and agrees to inform his/her co-authors of the terms of this policy. Lontar will not be held liable for anything that may arise due to the author(s) internal dispute. Lontar will only communicate with the corresponding author.

6. Royalties

Being an open accessed journal and disseminating articles for free under the Creative Commons license term mentioned, author(s) aware that Lontar entitles the author(s) to no royalties or other fees. 

7. Miscellaneous

Lontar will publish the article (or have it published) in the journal if the article’s editorial process is successfully completed. Lontar's editors may modify the article to a style of punctuation, spelling, capitalization, referencing and usage that deems appropriate. The author acknowledges that the article may be published so that it will be publicly accessible and such access will be free of charge for the readers as mentioned in point 3.