Public Relations Officer on Screen: An Analysis of Professional Practices of Public Relations Officers in the Industry
DOI:
https://doi.org/10.30656/lontar.v10i2.4329Keywords:
Public Relations, Film Industry, Content AnalysisAbstract
This study attempts to dissect the tendency to depict public relations institutions in the films produced by Warner Bros and Columbia Pictures. These two production houses are listed as the companies that most often release new films in America. Characters who have profiles as public relations institutions appear in films produced by different production houses. The research will be conducted by taking film samples in the 2010-2019 period. The selection of this year's range is based on previous studies that also used content analysis to look for trends in the depiction of the public relations profession in films in the period 1990-2000 and 2000-2009. This study uses a quantitative approach with descriptive type and uses the method of content analysis. The results show that there are differences in content on the characteristics of the PR profession, the type of campaign in The Social Network and Our Brand is Crisis films. Then on the indicators of the aspect of persuasion, there are similarities from the aspect of persuasion used in the practice of the PR profession.
Downloads
References
Baran, S. (2019). Introduction to Mass Communication. New York: McGraw-Hill.
Cutlip, S. M. (2009). Effective Public Relations: Edisi Kesembilan. Jakarta: Kencana.
Cones, J. (2012). Patterns of Bias in Hollywood Movies. New York: Algora.
Copeland, K. (2016). The Construction of Racial Identity Among Same Gender Loving Black Male Characters in Contemporary Film and Televisian. Journal of Black Sexuality and Relationships, 39 - 66.
Eriyanto. (2011). Analisis Isi: Pengantar Metodologi untuk Penelitian Ilmu Komunikasi dan Ilmu-ilmu Sosial Lainnya. Jakarta: Kencana.
Glasser, B. &. (2017). Medicinema : Doctors in Films. CRC Press.
Miller, K. (1999). Public Relations in Fim and Fiction. Journal of Public Relations Research.
Murphy, M. &. (2018). White Innocence and Black Subservience: The Rhetoric of White Heroism in The Help. Howard Journal of Communcations, 49 - 62.
O'Brien, D. (2017). Black Masculinity in Film: Native Sons and White Lies. New York: Springer.
Prajarto, N. (2010). Analisis Isi: metode Penelitian Komunikasi. Yogyakarta: FISIPOL UGM.
Banjo, O. &. (2017). Content Analysis of Portrayal of Whote Characters in Black Films Acrros Two Decades. Mass Communication and Society, 281 - 309.
Hanying, W. (2012). Portrayals of Chinese Women's Omages in Hollywood Mainstream Films - An Analysis of Four Representative Films of Different Periods. Intercultural Communication Studies.Mulyana, D. (2014). Ilmu Komunikasi Suatu Pengantar. PT Remaja Rosda Karya.
Downloads
Published
Issue
Section
License
Â
1. License
The non-commercial use of the article will be governed by the Creative Commons Attribution license as currently displayed on Creative Commons Attribution-ShareAlike 4.0 International License.
2. Author(s)' Warranties
The author warrants that the article is original, written by stated author(s), has not been published before, contains no unlawful statements, does not infringe the rights of others, is subject to copyright that is vested exclusively in the author and free of any third party rights, and that any necessary written permissions to quote from other sources have been obtained by the author(s).
3. User Rights
Lontar's spirit is to disseminate articles published are as free as possible. Under the Creative Commons license, Lontar permits users to copy, distribute, display, and perform the work for non-commercial purposes only. Users will also need to attribute authors and Lontar on distributing works in the journal and other media of publications
4. Right of Author
The author does not hold the copyright of articles published by this Journal (Jurnal Lontar)
5. Co-Authorship
If the article was jointly prepared by more than one author, any authors submitting the manuscript warrants that he/she has been authorized by all co-authors to be agreed on this copyright and license notice (agreement) on their behalf, and agrees to inform his/her co-authors of the terms of this policy. Lontar will not be held liable for anything that may arise due to the author(s) internal dispute. Lontar will only communicate with the corresponding author.
6. Royalties
Being an open accessed journal and disseminating articles for free under the Creative Commons license term mentioned, author(s) aware that Lontar entitles the author(s) to no royalties or other fees.Â
7. Miscellaneous
Lontar will publish the article (or have it published) in the journal if the article’s editorial process is successfully completed. Lontar's editors may modify the article to a style of punctuation, spelling, capitalization, referencing and usage that deems appropriate. The author acknowledges that the article may be published so that it will be publicly accessible and such access will be free of charge for the readers as mentioned in point 3.