REPRESENTATION OF ALONE TOGETHER IN FAMILY COMMUNICATION IN THE FILM

Effective family communication is the basis for creating a good family. Families that fail to create good communication patterns can create an imbalance in communication between family members. This triggers the existence of alone together as represented by the family in the film "Nanti Kita Cerita Tentang Hari Ini". This study aims to examine the existence of the alone together phenomenon in the film "Nanti Kita Cerita Tentang Hari Ini". Alone together itself is a situation where someone will feel alone even though they are in a crowd. The benefit of this research is to study the phenomenon of being alone together that is around us, especially in the family. This study uncovers film representation using a qualitative research method, namely semiotics by John Fiske. This semiotic analysis has three levels, namely the level of reality, the level of representation, and the level of ideology. The results of the analysis of the three levels show that the film "Later We Tell About Today" shows the phenomenon of being alone together experienced by several family members. This feeling of being alone together is triggered by authoritarian family communication patterns.


INTRODUCTION
Interactions made in a family are very influential on the formation of character development in family members, especially in children. This is proven as many as 75% of adolescents experience the phenomenon alone together which is influenced by family interactions in research conducted by (N. A. Putri et al., 2020). Based on these realities, researchers want to study the phenomenon alone together in a family communication through the representation of the film NKCTHI (Nanti Kita Cerita Tentang Hari Ini). Previously, this research has been conducted by (Faza & Soedarsono, 2022) with the title "Family Communication: Representation in the Film Nanti Kita Cerita Tentang Hari Ini (NKCTHI)". In addition, research on the representation of family diffusion in NKCTHI films has been examined by (Gracia et al., 2021). The difference with this study is, Researchers specifically review the phenomenon alone together through the study of deep representation of family communication in the NKCTHI film.
In general, film is one of the mass media that produces sound and images that move quickly so as to generate interest (Tamam & Fuady, 2021). A survey conducted on people aged 23-30 years stated. The number of Indonesian film connoisseurs is 11% ahead compared to foreign film connoisseurs (Asri, 2020).
The message and meaning of film representation are conveyed through two elements, namely cinematic and narrative. When one of these elements disappears, then First, in terms of appearance. Father has a wrinkled appearance, grayed hair, and no mustache. Mother has a similar appearance. Wrinkles in Mother are not very visible and her hair is still healthy. Mother and Father have always been neat-looking. Next is Angkasa, who has burly posture and dashing. In addition, Angkasa looks like a youth with age range around late 20s with slightly disheveled hair. Then Aurora, the woman with slightly "tomboyish" appearance (Esterlita, 2019) love with the freedom. Meanwhile, Awan has a more feminine appearance than Aurora.
Second, costume. Father was always neatly dressed in a collared shirt and trousers. Then, Mother, Angkasa, and Awan dress neatly and sometimes informally. Aurora dresses more casually like using shirt without sleeves and collars. In addition to clothes, they also use additional accessories. Mother and Father wear wedding rings, and Mother using earrings on his ears. Then Angkasa wears a watch on her left hand and Aurora wears three bracelets on her right wrist. Awan use a lot of "casts" (Pakpahan et al., 2022) in every scene as the result of an accident and used a white watch on his right hand.
Third, environment. In this film, the five characters spend a lot of time in the home environment and at work. Examples are scene (Irawan et al., 2019;Pasek et al., 2020) Angkasa who is being scolded while using a device when meeting and scene Aurora spent a lot of time in the studio.
Fourth, behaviour. This aspect explains how the phenomenon alone together influential and influenced by family communication. Father's loving, assertive, and caring character makes father an authoritarian figure (Bun et al., 2020). Furthermore, Father is too focused on Awan so that Angkasa and Aurora feel secondary. Unlike Father, Mother has a very caring attitude and embraces her three children. When Awan are noticed more by Father, with her sensitivity, Mother will embrace and talk to Angkasa and Aurora. But on the other hand, Mother also showed an attitude alone together. Mother rarely speaks and feels alone, sad, and depressed. It is caused by family communication patterns that are not so good and pressure from a husband.
Moreover, Angkasa behaves lovingly and cares for his family. He has an obedient attitude to his parents. However, on the other hand, Angkasa also bears the heavy burden of having to prioritize Awan over its personal interests. In this film, Angkasa does not show an attitude of alone together, but only the attitude of a young man who is full of pressure and burden and harbors anger towards his father. Until finally Angkasa reveals all the burden, pressure, and anger that he has been pent up so far (Figure 1.1). Then Awan, just like Father and Angkasa, this alone together attitude is not shown in Awan's character. Awan only felt sick and tired of the excessive attention given by the father. For example, when Awan was fired, Father immediately called Awan's boss to get her rehired. This caused Awan to be furious with her father because she always felt managed, limited in her life, and always pampered.
Then Aurora, the character Aurora is the character who most shows the phenomenon of alone together. Aurora was often alone in her studio and in her room. For example, when the scene of eating together, she prefers to go to the studio. Another example is when the family is chatting. Aurora will avoid, especially when Father is complimenting or talking to Awan. The phenomenon of alone together in Aurora is caused because the father's attention is more inclined to Awan. When Aurora tells her accomplishment during swimming practice to her father, she doesn't appreciate Aurora and instead tells Aurora to teach Awan. From the analysis above, it can be seen that the emergence of the phenomenon of alone together is caused by poor family communication patterns. This is also supported by changes in a person's social relationships where events are actually not in accordance with what she expected.
Fifth, ways of speaking and expressions. Fathers rarely smile and are firm since the death of his son. Father's way of speaking is quite firm and his tone speech is tall. Meanwhile, Mother often shows a sad expression and rarely smiles. Mother's way of speaking is smooth with a low tone of speech. Then, Angkasa has a stern facial expression and smiles quite often, The tone of speech is subtle and low. As for Aurora, she had an annoyed expression, sad, flat, and rarely smiled or laughed. In addition, Aurora talk often short and ignorant. Among their family members, Awan is the one who expresses the most. Awan have a cheerful personality and often shows happy expressions. Her speaking also always vibrant.

Representation Level
Representation level from NKCTHI film use three signs, such as camera shot, lighting, editing and sound supporter. In the representation level there are also other elements such as narrative, action, characters, expressions, dialogue and so on. As well as representation that serves to interpret something by understanding the similarity of the ideas background, concepts, and images so that they can be absorbed, imagined, and felt physically (Ardia, 2015). First, the narrative element. In the NKCTHI film, each scene has a different narrative. This narrative element is very influential for strengthening the context and conditions that exist in each scene. Although the narrative elements in each scene are different, each scene is continuous with each other. An example of this happened in the scene above, where Mother and Father approached Awan to make sure she was okay. While on the other hand there is an Aurora scene that feels uncared for. In the context and situation above, it can be noticed that different scenes still have a relationship between other scenes.
Second, elements of action, character, and expression. In the NKCTHI film, all the characters have different characteristics. These characteristics contains various things such as how to speak, facial expressions, and actions performed. Like the picture above, Father's figure has a firm character and the expression shown in the scene is a fear of Awan being left alone at home. In addition, the mother's character is also worried about Awan with facial expressions like a mother figure who is full of affection for her child. Another character is Awan who has the character of a child who is looking for his identity. In the scene above, Awan's actions and expressions were shocked because his entire family did not go to eat outside because he was not present. In addition, there is one character who describes the phenomenon of alone together, which is the portrayal of Aurora, where Aurora's expression looks sad because her parents are more worried and pay attention to Awan.
Third, the dialogue element. The dialogue in the film scene is very supportive and builds context so that the audience feels included in the storyline. The phenomenon of alone together in this scene can be seen when Aurora says "I want to go to the studio" to her family members with a disappointed expression because she didn't go out to eat just because Awan didn't come. This can be said to be an alone together phenomenon because Aurora feels alone in the midst of her family. In addition, Aurora also felt that her father interacted more with Awan and Angkasa than her.
In addition to several elements, at this representation level there are also five scenes with different types of shots taken such as long shot, medium long shot, medium shot, medium close-up shot, and close-up shot. The lighting, editing, and sound in this film also strengthen the phenomenon of alone together.
Long shot is used which allow us to see their surroundings. Long shot is focused on objects that are visible in their entirety and broad in view from the viewer's eyes. For example, when Awan was walking down the stairs after getting out of the train. Medium long shot is usually used when there is a scene that shows the overall movement of the character. When Father talks and approaches Awan (Figure 1.2), on that scene there are all the characters included and Aurora looks sad because she feels alone and no one cares about her. This makes it clear that there is a phenomenon of alone together experienced by Aurora.
Medium shot showing the waist to the head, used to determine the movements of body language and expressions that are being felt. For example, when in the hospital, it shows different movements and facial expressions of Awan, Mother, and Aurora. The medium close-up shot is used to display expressions on their characters in more detail and focus camera highlighting from the chest to the head. Medium close-up shot is one type commonly used in film. An example is in the scene at the dinner table, when little Aurora tells that she became a winner when swimming but Father paid more attention to Awan. In this case, the expression and type of shot used are very appropriate and the scene shows the phenomenon of alone together because Aurora felt ostracized and lacks affection from her father.
Close-up shot is used to show the face and movement in detail so that the expression shown is clearer. The image shown is from neck to head. The NKCTHI film shows the climax of the conflict where all family members gather in the living room and each child vents what has been felt. Especially Aurora who has always felt that she has lost herself and experienced alone together because of her father's attitude.
Lighting code, editing and sound (Ardiansyah et al., n.d.;Imanto, 2007) interrelated by many shots type where this movie frequently use medium shot and medium close-up shot. Every shot in scenes which are edited has lighting and selection sound corresponding and support alone together. Lighting selection in this film using low contrast type on some scenes such as in hospitals, dinner tables, and during family conflicts in the living room.

Ideological Level
The ideological level is a level that represents the film through several codes organized in ideological codes such as communist, patriarchal, liberal, individualist, and others (Pah & Darmastuti, 2019). At the level of ideology created, patriarchy is exposed to the father figure. Patriarchal culture is a form of male domination over women. Patriarchy is usually interpreted as "father's power", where women are dominated by men (Novarisa, 2019). The existence of this patriarchal culture is evidenced by the father role who has a firm nature and strong "authoritarian" spirit (Rakhmawati, 2015). This is strengthen in scene in the hospital when Awan had an accident and when at home she often stay in the studio without join the family gathering.
In addition, this patriarchal ideology is evidenced in the scene where Father insists to Angkasa that he must take care of his younger siblings and be responsible for everything that happens to his sister, especially Awan. As the youngest child, Awan received more attention than other siblings. For example, when Awan has an accident, then Father's main target is Angkasa. This strengthen the proof that the father figure adheres to a patriarchal culture where Angkasa as a man must dominate than his younger siblings.
The differences in characters that each actor has triggers conflict. It culminates in a final conflict where past events are uncovered and each family member expresses their own feelings. This research shows that the results of alone together are represented by NKCTHI film, one of which is shown through the scene of Aurora saying that her family has lost her a long time ago (Figure 03). This is proof that Aurora feels the phenomenon of alone together even though she is with her family. Another example when Aurora felt that her father was too focused on her sister Awan and Father who interacted more with Angkasa so that Aurora felt they forgot about her existence.
By looking at this level, in addition to the patriarchal culture depicted, the family communication pattern in this film is a "monopoly pattern" (Sari, 2019). This monopoly pattern is similar to the "authoritarian pattern" (Rakhmawati, 2015), in which parents demand that their children obey all their wishes without rebuttal. The existence of authoritarian patterns by Father towards other family members could give rise to phenomenon alone together felt by those family members. Authoritarian parenting is a parenting pattern carried out by parents to children by forcing, regulating, and being harsh. Parenting patterns like this can cause bad growth and children development, one example is the emergence of alone together in the growth and children development because they cannot voice their opinions.

CONCLUSION
From the results of this research analysis, it can be concluded that the film Nanti Kita Cerita Tentang Hari ini (NKCTHI) is a film that represents poor family communication. The monopoly pattern or authoritarian pattern used in family communication makes communication between family members unbalanced. This can be seen in the results of the analysis of three semiotic levels by John Fiske, which are the reality level, representation level, and ideology level. At the reality level, this alone together analysis is seen through the code of appearance, costume, face, environment, behavior, speech and expression. At the representation level, analysis alone together uses camera code, lighting, editing, and sound. Lastly, the ideological level, where this NKCTHI film depicts a patriarchal ideology, which is the men dominate more than women. The father figure who has a patriarchal spirit and applies an authoritarian attitude towards his family is what causes the phenomenon of alone together felt by family members.